BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//ELFS Japan - ECPv6.0.12//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:ELFS Japan
X-ORIGINAL-URL:https://elfsjapan.com
X-WR-CALDESC:Events for ELFS Japan
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Asia/Tokyo
BEGIN:STANDARD
TZOFFSETFROM:+0900
TZOFFSETTO:+0900
TZNAME:JST
DTSTART:20190101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Asia/Tokyo:20251021T190000
DTEND;TZID=Asia/Tokyo:20251026T180000
DTSTAMP:20260415T095900
CREATED:20191212T110207Z
LAST-MODIFIED:20251009T131807Z
UID:2358-1761073200-1761501600@elfsjapan.com
SUMMARY:Making the Short Film (1 Week) | October
DESCRIPTION:Practical Filmmaking Class – Learn to make films… by making a short film.\nA practical filmmaking class designed to give you the confidence you need to go out and make your own films. \nCourse Cost\n¥45\,000 \nCourse Description\n \nOver the initial three evenings you will be introduced to your script\, equipment and actors\, learning how to work with each in turn. \nYou and your classmates will be split into groups of six and you will each choose to direct one of the six scenes in the script. You will actually shoot the film on the Saturday\, with each director given an hour to shoot their scene. \nYou will rotate jobs within the crew over the course of the day; directing\, filming\, recording sound\, doing the art direction\, lighting\, and managing continuity in turn. This allows you to experience and understand the different positions on a film set. \nSunday will focus on editing and post-production\, and you will edit your film with your group. The finished product will be screened at the end of the day\, with time for feedback and discussion. \nShould you wish\, you will be welcome to take the footage from the day to continue working and practising on. \n“I’ve wanted to learn about making films for a long time and wanted to try to make my own. Starting from knowing practically nothing I joined ELFS Japan’s Making the Short Film course. It was fascinating\, really good fun and even better\, within a week I feel like I have enough knowledge of the basics to start confidently making my own projects.” \n“Thanks again for everything\, the course was brilliant! I think its amazing that it was so practical and we got to try all the different roles. It’s totally encouraged me and given me the confidence to make a short film” \nSee what other students have said in our testimonials \nClass Schedule\nDay 1 (Tue)\, 19:00-21:30 — Working with the script. \nDay 2 (Wed)\, 19:00-21:30 — Working with crew and equipment. \nDay 3 (Thur)\, 19:00-21:30 — Working with actors. \nDay 4 (Fri)\, – NO CLASS \nDay 5 (Sat)\, 10:00-18:00 — Production day. \nDay 6 (Sun)\, 10:00-18:00 — Post-production and feedback. \n  \n\n			\n	\n		\n			The director explains the shot on Making the Short FIlmStudent on soundStudent with actors on Making the Short FilmStudent directs a scene		\n		\n			Prev\n			1of9\n			Next\n		\n	\n\nAbout the Instructor – Rory O’Donnell\n \nRory O’Donnell worked in the UK entertainment industry for 25 years\, initially as an actor\, then a casting director\, before spending ten years as course director for Raindance London\, the UK’s top provider of short training courses for filmmakers. He is an award-winning filmmaker\, with short films he has directed screening in festivals in Europe and North America. His students have included everyone from film professionals looking to broaden their skillsets to inexperienced novices with a passing interest in the subject. Building on this experience\, he has developed classes accommodating to all backgrounds and abilities. \nWhat is ELFS Japan?\nEnglish Language Film School Japan offers unique filmmaking classes\, taught in the English language\, here in Tokyo. This class will be taught by Rory O’Donnell\, who prior to founding ELFS Japan\, worked for ten years as Courses Director at Raindance London\, Europe’s premier destination for short filmmaking classes. Originally an actor working across stage\, film and TV throughout the 90s\, Rory is now an award-winning director of short films.
URL:https://elfsjapan.com/event/making-the-short-film-oct-2025/
LOCATION:ELFS Japan Studio\, 2-9-14 Suido\, Bunkyō-ku\, Tōkyō-to\, 112-0005\, Japan
CATEGORIES:Filmmaking Courses,Technical
ATTACH;FMTTYPE=image/jpeg:https://elfsjapan.com/wp-content/uploads/2018/05/making-the-short-film-course-tokyo.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tokyo:20250307T180000
DTEND;TZID=Asia/Tokyo:20250307T190000
DTSTAMP:20260415T095900
CREATED:20221127T223457Z
LAST-MODIFIED:20250214T085150Z
UID:4440-1741370400-1741374000@elfsjapan.com
SUMMARY:Drop-In Acting Class
DESCRIPTION:If you are curious to try out acting for the first time OR you are a busy working actor\, who just wants an occasional work-out\, our drop in class is open to students of all levels! \n2000¥ Cash at the door \nIn our drop-in acting classes\, one of our “in-house acting coaches” will give you a one-hour taste of exercises\, scene work and/or answers to any questions you might have before committing to a more longterm training course. \nFeel free to bring in a monologue or scene you’ve prepared if you’d like to receive some quick feedback\, or just show up with curiosity and an open mind on the day! \n2025 Schedule\nMarch 7th – Kaoru Kuwata \nHow to Book\nYou can let us know you are coming by sending an email with the date you wish to attend \nBook Your Place
URL:https://elfsjapan.com/event/drop-in-acting-class/
LOCATION:ELFS Japan Studio\, 2-9-14 Suido\, Bunkyō-ku\, Tōkyō-to\, 112-0005\, Japan
CATEGORIES:Acting
ATTACH;FMTTYPE=image/jpeg:https://elfsjapan.com/wp-content/uploads/2020/09/scene-class.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tokyo:20241004T190000
DTEND;TZID=Asia/Tokyo:20241018T213000
DTSTAMP:20260415T095900
CREATED:20240908T205031Z
LAST-MODIFIED:20240909T135033Z
UID:5385-1728068400-1729287000@elfsjapan.com
SUMMARY:ACTING: Audition Training (3 Evenings)
DESCRIPTION:Course duration: 3 evenings\nCourse fee:\n15\,000¥ (without receiving the video material from class)\n20\,000¥ (including receiving the video material from class) \nCourse schedule: October 4th – 18th\n7:00pm – 9:30pm \nCourse Description\nThe journey to landing your dream role\, working with your favourite director or delivering your first award winning performance – every time it begins with an audition. \nBeing at your very best under highly unpredictable circumstances is one of the most important skills you need to acquire as an aspiring actor. No matter how talented you are\, if that perfect opportunity comes along and you’re not prepared\, your talent won’t even make it past the first round. And the only way to guarantee that you’ll be at your best no matter what is practice\, practice\, practice! \nPut your skills to the test\, learn what international casting directors\, agents and producers are looking for in 2024 and discover how to best prepare yourself for the various challenges that await you in the audition room – or when submitting a selftape. \nIn these three evenings you will practise the most common types of auditions in the current (international) world of acting\, receive feedback on your work and gain confidence in your skills! \nYou will also learn the basic dos & don’ts for each type of audition\, learn how to optimise your own selftapes and watch yourself back on video for maximum learning effect during the class. \nWeek 1: Cold reading\, co-star and guest-star auditions\nWeek 2: Monologues\nWeek 3: Dialogue scenes \n(all practice auditions will be filmed. If you would like to receive the materials filmed in class in the end\, please select the option when purchasing the class) \nAbout Marei Annis\nMarei Annis started the acting department at ELFS Japan in 2019. She runs her own independent production company AVA – All Visions Align and has produced\, written\, directed and starred in a variety of film and stage productions in Japan\, Germany\, London and Los Angeles.\nHer teaching technique is a fusion of influences compiled from experiences across all creative aspects of filmmaking and acting as well as life- and business coaching. \nAmongst many others Marei herself trained with Monika Gossmann (Iron Sky\, Mank)\, Lisa Pescia (Curb Your Enthusiasm\, Seinfeld) and Bernard Hiller (coach of Cameron Diaz\, Michelle Pfeiffer\,…). She has also produced three feature films\, wrote and directed several plays\, a webseries and various short films and she trained in “Contextual Coaching” (NLP and RET based) for a deeper understanding of how to reach and empower students on an individual level. \nMarei’s approach to teaching always begins with the student as an individual and focuses most on finding and refining the talent\, experience and passion that’s already there – then tailoring a unique path and method based on their needs\, strengths and goals.
URL:https://elfsjapan.com/event/acting-audition-training/
LOCATION:ELFS Japan Studio\, 2-9-14 Suido\, Bunkyō-ku\, Tōkyō-to\, 112-0005\, Japan
CATEGORIES:Acting
ATTACH;FMTTYPE=image/webp:https://elfsjapan.com/wp-content/uploads/2024/09/acting-audition-class.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tokyo:20240701T190000
DTEND;TZID=Asia/Tokyo:20240805T213000
DTSTAMP:20260415T095900
CREATED:20240614T093516Z
LAST-MODIFIED:20240623T112654Z
UID:5265-1719860400-1722893400@elfsjapan.com
SUMMARY:Voice and Body from Practice to Performance
DESCRIPTION:In this 6 evening intensive course you will move your body and use your voice in challenging and focused exercises to learn the principles of the “SAFE method” and the powerful skill of “teaching yourself ”! \nBy the end of the course you will have a clear grasp of your true potential as a performer by exploring and fine tuning your instrument (body and voice)\, examining possibilities of expression and exploring in depth the power of details in your every word\, motion and deliberately executed choice\, when embodying a character\, text or story. You will learn a systematic approach to identifying and eliminating the obstacles in the way of your creative freedom and your best performance\, by finding new exciting ways of bringing a story to life and being present in the moment using fundamental tools of the acting craft\, as applied by actors across the globe\, from stage to screen to voice- and motion capture performance in video games and new media. \nThis acting masterclass was created using feedback from our students as well as insights acquired during previous iterations of the course. This is a great opportunity for previous students to reinforce what they learned and apply it; and for new participants to benefit from this highly successful process. \nThe course utilizes principles and exercises of the SAFE method. An original system developed by Masanari Sasaki to allow the actor (and any artist or creative human being) to become: \nSelf-expressed\nAuthentic\nFree\nEnergized \nCourse Schedule\nDay one: The actor’s body: The extraordinary instrument for storytelling.\nDay two: The actor’s voice. Produced by the actor’s body. Speaking the text.\nDay three: Presence. Being in the moment. Concerns and freedom.\nDay four: The character in context of a play\, a scene or a speech.\nDay five: Rehearsal and performance . All participants will perform a group scene\, movement based with no words.\nDay six: Rehearsal and performance. All participants will perform a monologue. \nAll six days of the course include a small warm up routine as well as practical exercises that will challenge the actor physically and mentally. At the end of the course the actor will have a new relationship to their body\, voice and text that will empower them and open them up to new possibilities as artists. \nAbout the instructor\nMasanari Sasaki is from Shizuoka\, Japan. He grew up and received his education in the United States. He is a graduate of the PTTP at the University of Delaware where he received his MFA in theatre. \nDuring his training he studied and worked with internationally renowned directors and coaches (Jewel Walker\, Adrian Hall\, Tadashi Suzuki\, Heinz Uwe-Haus\, The Roy Heart Theatre) in a variety of styles focusing mostly on classical plays. \nSome notable influences in his teaching and coaching method are the exercises and directing style of Tadashi Suzuki\, whose company he joined right after graduating upon his return to Japan. \nAlso the approach to movement from the corporeal mime of Etienne Decroux and the possibility of the human voice as explored by Kristin Linklater and The Roy Hart Theatre.
URL:https://elfsjapan.com/event/voice-and-body-from-practice-to-performance/
LOCATION:ELFS Japan Studio\, 2-9-14 Suido\, Bunkyō-ku\, Tōkyō-to\, 112-0005\, Japan
CATEGORIES:Acting
ATTACH;FMTTYPE=image/jpeg:https://elfsjapan.com/wp-content/uploads/2023/06/movement-and-voice-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tokyo:20240520T190000
DTEND;TZID=Asia/Tokyo:20240617T213000
DTSTAMP:20260415T095900
CREATED:20210902T173734Z
LAST-MODIFIED:20240501T142546Z
UID:3661-1716231600-1718659800@elfsjapan.com
SUMMARY:The Actor’s Roadmap - Advanced Training
DESCRIPTION:Reserved for students who have already taken The Actor’s Roadmap – Meisner Acting Workshop \nIf you have already studied Meisner elsewhere and believe you are experienced enough without taking the above classes\, please email us: info@elfsjapan.com \nThis class based on the tools learned in the “Meisner” and “building a character” classes will help you to push further your exploration in your acting craft. Through mainly intensive scene work\, you will have the opportunity to dig into various characters\, work on their need\, their flaws\, their physicality. \nWe will also work on how to approach a scene out of the whole context of the script and nonetheless create an interesting and meaningful emotional curve for your character. \nThis work will help you to expand your skills on the six qualities of your instrument: Physicality\, Intelligence\, Imagination\, Personal experiences\, sensory faculties\, and Empathy. \nAbout the Instructor – Lucas Rue\nLucas studied in ESRA (Ecole Supérieure de Réalisation Audiovisuelle) in PARIS. After his graduation in 2006\, he worked on more than 60 films (Short Films\, Music Videos\, Documentaries\, TV Shows and Feature Films) as Director\, Assistant Director\, Director of Photography\, Cameraman and Gaffer.\nLucas studied acting alongside two of the most famous acting coaches in the U.S (Bob Mc Andrew and Susan Batson). Being their assistant and cameraman for 4 years\, he acquired the skills he needed to pursue his work as filmmaker. As he was continuously working on film set\, Lucas had eventually the opportunity to teach in one of the most prestigious acting school in Paris\, “L’Entrée des Artistes” directed by Olivier BELMONDO. As “acting on screen” teacher for this institution for more than ten years\, Lucas developed and sharpened his own method of teaching acting.\nIn 2017\, he moved to Japan to continue is work as acting coach and filmmaker.
URL:https://elfsjapan.com/event/the-actors-roadmap-advanced-training/
LOCATION:ELFS Japan Studio\, 2-9-14 Suido\, Bunkyō-ku\, Tōkyō-to\, 112-0005\, Japan
CATEGORIES:Acting
ATTACH;FMTTYPE=image/jpeg:https://elfsjapan.com/wp-content/uploads/2021/09/advanced-character-class.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tokyo:20230819T100000
DTEND;TZID=Asia/Tokyo:20230820T180000
DTSTAMP:20260415T095900
CREATED:20191115T095425Z
LAST-MODIFIED:20230816T193244Z
UID:2273-1692439200-1692554400@elfsjapan.com
SUMMARY:ACTING: On Camera Intensive (Weekend)
DESCRIPTION:  \n  \nIn this intensive weekend class\, you will learn how to take a performance from rehearsal to screen! \nYou will work with a scene partner on a scene that you are assigned before the class begins\, to give you time to prepare in your own way to get the most out of the course. \nOn Saturday we will rehearse and block your scenes\, ready for filming. Then you will receive a technical introduction to on-camera acting\, continuity and blocking so you’re ready for the big day: \nOn Sunday we will film your scenes\, like you would in an actual film production! \nIn the final segment of the class\, we will review the material and you will receive feedback on your performance\, based on what we see on camera. \nYou will be free to keep and use the footage from this workshop in whichever way you like – however\, the focus when filming will be on the exercise and your growth as an actor. \n  \nSpace is limited to 10 actors\, so early sign-up is recommended. \nAbout Marei Annis\n \nMarei Annis started the acting department at ELFS Japan in 2019. She runs her own independent production company AVA – All Visions Align and has produced\, written\, directed and starred in a variety of film and stage productions in Japan\, Germany\, London and Los Angeles. \nHer teaching technique is a fusion of influences compiled from her experiences across all creative aspects of filmmaking and acting as well as life- and business coaching. \nAmongst many others she studied with Monika Gossmann (Iron Sky\, Mank)\, Lisa Pescia (Curb Your Enthusiasm\, Seinfeld) and Bernard Hiller (coach of Cameron Diaz\, Michelle Pfeiffer\,…). She produced two feature films\, wrote and directed several plays\, a webseries and various short films and currently has one of her feature film scripts and a TV pilot in development under a production company in Hollywood. She also trained in “Contextual Coaching” (NLP and RET based) for a deeper understanding of how to reach and empower students on an individual level. \nMarei’s approach to teaching always begins with the student as an individual and focuses most on finding and refining the talent\, experience and passion that’s already there – then taking it to the next level. \nAbout Rory O’Donnell\nRory O’Donnell worked in the UK entertainment industry for 25 years\, initially as an actor\, then a casting director\, before spending ten years as course director for Raindance London\, the UK’s top provider of short training courses for filmmakers. He is an award-winning filmmaker\, with short films he has directed screening in festivals in Europe and North America. His students have included everyone from film professionals looking to broaden their skillsets to inexperienced novices with a passing interest in the subject. Building on this experience\, he has developed classes accommodating to all backgrounds and abilities.
URL:https://elfsjapan.com/event/authentic-acting-on-camera-intensive/
LOCATION:ELFS Japan Studio\, 2-9-14 Suido\, Bunkyō-ku\, Tōkyō-to\, 112-0005\, Japan
CATEGORIES:Acting
ATTACH;FMTTYPE=image/jpeg:https://elfsjapan.com/wp-content/uploads/2019/11/marei-annis-authentic-acting-tokyo-class.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tokyo:20230408T123000
DTEND;TZID=Asia/Tokyo:20230409T180000
DTSTAMP:20260415T095900
CREATED:20230112T152005Z
LAST-MODIFIED:20230320T132041Z
UID:4609-1680957000-1681063200@elfsjapan.com
SUMMARY:The Art of Cinematography
DESCRIPTION:Course Objective\nUnderstand the fundamentals of cinematography and how to apply techniques to enhance your video productions. \nCourse Description\nIn this two-day workshop you will learn about the history of cinematography\, it’s different applications\, tools\, and techniques including camera operation and lighting. You will also get to apply what you’ve learned by setting up short scenes. \n \nDay 1:\nIntroduction\n\nWhat is cinematography and what is the cinematographer’s role on a film/video production?\nA brief history of cinematography\nCinematography vs. Videography – What is the difference?\nCameras (Film vs. Video) – Why to choose one over the other?\nLenses – Their importance and how to choose the best glass for your project\nCamera Movement\nBlocking and Composition\nLighting – Artificial vs. Natural\n\nTypes of Light\nBasic Lighting Setups\nCreating a Mood\n\n\n\n\nDay 2:\nApplication\n\nCommunicating with the Director before and during production\nUnderstanding how to assemble a crew for the camera department\nHow a cinematographer is a “Director of Photography” on set\nUnderstanding the importance of other departments to the Cinematographer\nUnderstanding set etiquette\nSetup a short scene and shoot with the help of the instructor\nHow to stay inspired and active as a cinematographer\n\nClass Schedule\nSaturday: \n4 hours\, 12:30pm – 4:30pm \nSunday: \n5 hours 1pm – 6pm \nAbout the Instructor\nBenjamin Michel is an award-winning visual artist specializing in cinematography\, directing\, and photography. He was born in New Jersey\, USA to Haitian immigrant parents whose culture greatly influenced his artistic growth. After graduating with a Bachelor’s of Arts in Film from the University of Central Florida in 2011 he launched a career in film. In 2012 he started working in Los Angeles and later in the San Francisco Bay Area\, California. The structure of his films usually blend the classical tropes of storytelling with elements of surrealism. He’s received inspiration from the work of auteurs such as Yasujiro Ozu\, Kenji Mizoguchi\, Andrei Tarkovsky\, and Raoul Peck. Benjamin’s become known for creating uniquely poetic and beautifully cinematic films. He’s garnered praise at acclaimed film festivals and produced content for companies such as PBS\, KQED\, Condé Nast\, and the Fine Arts Museums of San Francisco. He’s also served as a judge for the Los Angeles Diversity Film Festival.
URL:https://elfsjapan.com/event/the-art-of-cinematography/
LOCATION:ELFS Japan Studio\, 2-9-14 Suido\, Bunkyō-ku\, Tōkyō-to\, 112-0005\, Japan
CATEGORIES:Filmmaking Courses,Technical
ATTACH;FMTTYPE=image/jpeg:https://elfsjapan.com/wp-content/uploads/2023/01/the-art-of-cinematography-tokyo-class.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tokyo:20230307T190000
DTEND;TZID=Asia/Tokyo:20230307T213000
DTSTAMP:20260415T095900
CREATED:20221127T222632Z
LAST-MODIFIED:20230207T153942Z
UID:4433-1678215600-1678224600@elfsjapan.com
SUMMARY:Strasberg Method: Advanced Training (ongoing)
DESCRIPTION:Join Jim O’Connor’s new ongoing Strasberg training group to practise using the Method in scripted scene-work and monologues as well as any upcoming auditions and professional engagements. Each class will begin with a group exercise immediately followed by scripted material. This will deepen your understanding of your talent\, improve your professional acting skills and highlight your strengths as well as areas for improvement. \nDiscover over time what it truly takes to become a Method actor. \nUnlock your private world of emotions to create inspiration on cue. Transform fear and self doubt into decisive action and finally live truthfully under imaginary circumstances. \nFor those actors aiming at a professional career – especially in an international market – longterm\, ongoing training is crucial. In this ongoing group class you will receive consistent training\, challenges and feedback based on your own level and progress. \nYou can join the classes at the beginning of each new month by booking a 1-month\, 3-month or 6-month package (with discounts for longer upfront commitment).\nTo truly dive in deep and see real\, lasting progress staying committed for at least a 6-month period to training with the same tutor is highly encouraged (even if you choose to book month by month). \nWhen joining the class for the first time\, please bring a monologue\, a scene or any materials that you would like to work on with you.\nIf you have your materials ready in advance\, please send them directly to the tutor:\njimrobinson1965@gmail.com \n2023 Dates\nFEB: 7\, 14\, 21\, 28\nMAR: 7\, 14\, 22*\, 28\nAPR: 4\, 11\, 18\, 25\nMAY: 9\, 16\, 23\, 30\nJUN: 6\, 13\, 20\, 27\nJUL: 4\, 11\, 18\, 25 ?X\nAUG: 8\, 15\, 22\, 29 ?X\nSEP: 5\, 12\, 19\, 26\nOCT: 3\, 10\, 17\, 24\nNOV: 7\, 14\, 21\, 28\nDEC/JAN: 5\, 12/23\, 30 \n*March 21st is a holiday\, so this one time only the Strasberg class will be on Wednesday instead. \nOFF DAYS:\nMAY 2\, AUG 1\, OCT 31\, DEC 19& 26\, JAN 2\,9\,16 \nBook as Part of a Package\n\nAbout Jim O’Connor\nJim O’Connor received his bachelor of fine arts degree in acting from the University of Rhode Island\, USA\, where he studied the Meisner method. After working in regional theater under the guidance of Tony award winning Director\, Adrian Hall\, Jim relocated to New York City where his career shifted to daytime soap operas\, episodic television and Emmy award winning national network commercials. Thereafter\, Jim explored the growing trend as a television host with his own shows on the USA network amongst others. Throughout his pursuits\, Jim steadily trained with Gary Swanson\, a first generation acting pupil of Lee Strasberg and lifetime member of The Actor’s Studio. Jim enjoys teaching the knowledge he has been fortunate enough to obtain and now looks forward to sharing the same with Tokyo performing artists. \nFAQ:\nIf I miss a class\, can I make it up at a later date?\nIf you know at the time of booking your package that you will be absent during one specific date\, the missed class can be added at the end of the package instead. In case of missing a class because of a serious emergency\, you can also make up the missed class at the end of your package. However\, if you miss a class for personal reasons\, the class can unfortunately not be made up (such as feeling unwell without any heavy symptoms\, working overtime or taking a mental health day) If the tutor has to cancel a class due to an emergency or otherwise unforeseen circumstances\, the missed class will automatically be added to the end of your package\, or credited towards any class date of your choice within the following month. \nDo I need to take the “Introduction to Strasberg” class before joining the ongoing one?\nIf you have previous acting experience you are welcome to join the ongoing training right away. Please contact the tutor directly to confirm before booking.\nIf you have never taken an acting class before\, the introductory classes are a better starting point. \nCan I audit the class before joining?\nIn order for our classes to remain a safe working space for our students we don’t allow audits. If you want to get a first impression before committing to a class\, please join our monthly drop-in sessions! \nI am joining both\, Jim’s and Lucas’ ongoing classes – can I work on the same materials in both classes or do they need to be different ones?\nIn order for a consistent workflow in each class we recommend that you work on different materials in each class. That way you can focus on applying one approach at a time and discover step by step which elements of each method work best for yourself. \nI have an audition coming up. Can I prepare for it in the ongoing class\, even if I was working on a different scene or monologue before?\nOf course! We will prioritise anything you need to work on towards a tight deadline! \nDo I always have to bring my own scenes or monologues?\nGenerally\, no. We ask you to bring something in the beginning so we can get to work right away\, but once you’ve been working with us for a while the tutor will provide you with materials best suited to your progress. We are always open to your wishes and suggestions\, so if you have something particular in mind that you’d like to work on just let the tutor know.
URL:https://elfsjapan.com/event/strasberg-method-advanced-training-ongoing/
LOCATION:ELFS Japan Studio\, 2-9-14 Suido\, Bunkyō-ku\, Tōkyō-to\, 112-0005\, Japan
CATEGORIES:Acting
ATTACH;FMTTYPE=image/jpeg:https://elfsjapan.com/wp-content/uploads/2022/11/strasberg-ongoing.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tokyo:20230306T190000
DTEND;TZID=Asia/Tokyo:20230306T213000
DTSTAMP:20260415T095900
CREATED:20221127T223022Z
LAST-MODIFIED:20230207T153951Z
UID:4435-1678129200-1678138200@elfsjapan.com
SUMMARY:The Actor’s Roadmap: Advanced Training (ongoing)
DESCRIPTION:This ongoing class based on the tools learned in the “Meisner” and “Building a Character” classes will help you to push further your exploration in your acting craft. Through mainly intensive scene work\, you will have the opportunity to dig into various characters\, work on their need\, their flaws\, their physicality. We will also work on how to approach a scene out of the whole context of the script and nonetheless create an interesting and meaningful emotional curve for your character. \nThis work will help you to expand your skills on the six qualities of your instrument: Physicality\, Intelligence\, Imagination\, Personal experiences\, sensory faculties\, and Empathy. \nFor those actors aiming at a professional career – especially in an international market – longterm\, ongoing training is crucial. In this group class you will receive consistent training\, challenges and feedback based on your own level and progress. \nYou can join the classes at the beginning of each new month by booking a 1-month\, 3-month or 6-month package (with discounts for longer upfront commitment).\nTo truly dive in deep and see real\, lasting progress\, staying committed for at least a 6-month period to training with the same tutor is highly encouraged (even if you choose to book month by month). \nWhen joining the class for the first time\, please bring a monologue\, a scene or any materials that you would like to work on with you.\nIf you have your materials ready in advance\, please send them directly to the tutor:\nlucas@actingcoachjapan.com \n2023 Dates:\nFEB: 6\, 13\, 20\, 27\nMAR: 6\, 13\, 20\, 27\nAPR: 3\, 10\, 17\, 24\nMAY: 8\, 15\, 22\, 29\nJUN: 5\, 12\, 19\, 26\nJUL: 3\, 10\, 17\, 24\nAUG: 7\, 14\, 21\, 28\nSEP: 4\, 11\, 18\, 25\nOCT: 2\, 9\, 16\, 23\nNOV: 6\, 13\, 20\, 27\nDEC/JAN: 4\, 11/ 22\, 29 \nOFF DAYS:\nMAY 1\, JUL 31\, OCT 30\, DEC 18 & 25\, JAN 1\, 8 & 15 \nBook as Part of a Package\n\nAbout the Instructor – Lucas Rue\nLucas studied in ESRA (Ecole Supérieure de Réalisation Audiovisuelle) in PARIS. After his graduation in 2006\, he worked on more than 60 films (Short Films\, Music Videos\, Documentaries\, TV Shows and Feature Films) as Director\, Assistant Director\, Director of Photography\, Cameraman and Gaffer.\nLucas studied acting alongside two of the most famous acting coaches in the U.S (Bob Mc Andrew and Susan Batson). Being their assistant and cameraman for 4 years\, he acquired the skills he needed to pursue his work as filmmaker. As he was continuously working on film set\, Lucas had eventually the opportunity to teach in one of the most prestigious acting school in Paris\, “L’Entrée des Artistes” directed by Olivier BELMONDO. As “acting on screen” teacher for this institution for more than ten years\, Lucas developed and sharpened his own method of teaching acting.\nIn 2017\, he moved to Japan to continue is work as acting coach and filmmaker. \nFAQ:\nIf I miss a class\, can I make it up at a later date?\nIf you know at the time of booking your package that you will be absent during one specific date\, the missed class can be added at the end of the package instead.\nIn case of missing a class because of a serious emergency\, you can also make up the missed class at the end of your package.\nHowever\, if you miss a class for personal reasons\, the class can unfortunately not be made up (such as feeling unwell without any heavy symptoms\, working overtime or taking a mental health day). If the tutor has to cancel a class due to an emergency or otherwise unforeseen circumstances\, the missed class will automatically be added to the end of your package\, or credited towards any class date of your choice within the following month. \nDo I need to take the “Introduction to Meisner” and “Building a Character” class before joining the ongoing one?\nIf you have previous acting experience you are welcome to join the ongoing training right away. Please contact the tutor directly to confirm before booking.\nIf you have never taken an acting class before\, the introductory classes are a better starting point. \nCan I audit the class before joining?\nIn order for our classes to remain a safe working space for our students we don’t allow audits. If you want to get a first impression before committing to a class\, please join our monthly drop-in sessions! \nI am joining both\, Jim’s and Lucas’ ongoing classes – can I work on the same materials in both classes or do they need to be different ones?\nIn order for a consistent workflow in each class we recommend that you work on different materials in each class. That way you can focus on applying one approach at a time and discover step by step which elements of each method work best for yourself. \nI have an audition coming up. Can I prepare for it in the ongoing class\, even if I was working on a different scene or monologue before?\nOf course! We will prioritise anything you need to work on towards a tight deadline! \nDo I always have to bring my own scenes or monologues?\nGenerally\, no. We ask you to bring something in the beginning so we can get to work right away\, but once you’ve been working with us for a while the tutor will provide you with materials best suited to your progress. We are always open to your wishes and suggestions\, so if you have something particular in mind that you’d like to work on just let the tutor know.
URL:https://elfsjapan.com/event/the-actors-roadmap-advanced-training-ongoing/
LOCATION:ELFS Japan Studio\, 2-9-14 Suido\, Bunkyō-ku\, Tōkyō-to\, 112-0005\, Japan
CATEGORIES:Acting
ATTACH;FMTTYPE=image/jpeg:https://elfsjapan.com/wp-content/uploads/2021/09/advanced-character-class.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tokyo:20230109T183000
DTEND;TZID=Asia/Tokyo:20230109T203000
DTSTAMP:20260415T095900
CREATED:20221127T223252Z
LAST-MODIFIED:20221129T130815Z
UID:4437-1673289000-1673296200@elfsjapan.com
SUMMARY:Jim & Lucas’ New Year SOCIAL at the STUDIO
DESCRIPTION:Catch-up with Jim and Lucas and reconnect with former classmates! \nFor students who have previously taken Jim’s and Lucas’ classes at ELFS Japan before! \nBefore starting our brand new ongoing training group classes the following week\, on January 9th you’ll have a chance to come and have a casual catch-up with Jim and Lucas and reconnect with your friends from the classes! \nBring your own drinks and snacks and get inspired together for the new year\, talking about acting\, films and the future. \nBook Your Place\nYou can book your place by email \nBook Your Place
URL:https://elfsjapan.com/event/jim-lucas-new-year-social-at-the-studio/
LOCATION:ELFS Japan Studio\, 2-9-14 Suido\, Bunkyō-ku\, Tōkyō-to\, 112-0005\, Japan
CATEGORIES:Events,Networking
ATTACH;FMTTYPE=image/jpeg:https://elfsjapan.com/wp-content/uploads/2020/03/authentic-acting-character-creation.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tokyo:20220827T100000
DTEND;TZID=Asia/Tokyo:20220827T120000
DTSTAMP:20260415T095900
CREATED:20220815T083541Z
LAST-MODIFIED:20220815T090237Z
UID:4279-1661594400-1661601600@elfsjapan.com
SUMMARY:Acting Workshop for Kids Introductory Class
DESCRIPTION:Introductory Class\nFrom 8 to 12 years old \nAbout the Class\nDuring this workshop\, your kids will discover the craft of acting. Through fun group exercises they will learn how to drive their emotions and use it as communication tools instead of being overwhelmed by it. Playing short dialogue scenes in front of the class\, they will gain self-confidence and feel encouraged to show their best in front of an audience. Stepping into different roles and characters will give them an opportunity to express themselves in ways they didn’t know they could. Inside every actor there is child who just want to have fun. Inside every child there is a remarkable actor who can tell amazing stories. \nAbout the Teacher\nAfter 4 years as assistant for two of the most famous acting coach in the U.S ( Bob mc Andrew and Susan BATSON ) then as an acting coach for more than 10 years in one of the most prestigious acting schools in Paris ( BELMONDO’s L’entrée des artistes )\, Lucas RUE has developed his own way of coaching actors. From kids to adults\, beginners to professional actors\, Lucas helps students to enhance their acting craft.
URL:https://elfsjapan.com/event/acting-workshop-for-kids-introductory-class/
LOCATION:ELFS Japan Studio\, 2-9-14 Suido\, Bunkyō-ku\, Tōkyō-to\, 112-0005\, Japan
CATEGORIES:Acting
ATTACH;FMTTYPE=image/jpeg:https://elfsjapan.com/wp-content/uploads/2022/08/kids-workshop.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tokyo:20220703T160000
DTEND;TZID=Asia/Tokyo:20220703T190000
DTSTAMP:20260415T095900
CREATED:20220612T154755Z
LAST-MODIFIED:20220616T134314Z
UID:4132-1656864000-1656874800@elfsjapan.com
SUMMARY:ELFS Collaboration Club & Pitch Meeting
DESCRIPTION:Sunday 4pm-7pm\n1000¥ (cash at the door) \nMeet fellow filmmakers in the making! \nThis event is for students\, hobby-filmmakers and artists who want to find other creative minds to collaborate with to improve their skills\, gain experience and create non-profit artistic (film-)projects together. \nCome to the ELFS studio\, bring your own drink and more importantly bring your ideas\, your skills and all your enthusiasm to make great visions come to live! \nThere is only one rule: This event is for creative collaborations ONLY.* \nPractice pitching your own idea to an audience and discover who shares your vision. \nYour idea doesn’t have to be perfect\, polished or even complete – this is an opportunity to try what works\, what doesn’t and how to win over others for your cause. \nWhat you need to bring: \n\nOne idea for something you would like to work on – simple or refined\, any idea is fine!\nAt least one skill or resource you can bring to a team\nAfter you’ve heard all the pitches dive in and find your team!\n\n*While we ultimately cannot verify this\, we kindly ask you to respect this rule and not use the event to recruit free help on professional projects\, unless really everyone involved is volunteering their time and labour.
URL:https://elfsjapan.com/event/elfs-collaboration-club-pitch-meeting/
LOCATION:ELFS Japan Studio\, 2-9-14 Suido\, Bunkyō-ku\, Tōkyō-to\, 112-0005\, Japan
CATEGORIES:Networking
ATTACH;FMTTYPE=image/jpeg:https://elfsjapan.com/wp-content/uploads/2020/03/authentic-acting-character-creation.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tokyo:20220629T150000
DTEND;TZID=Asia/Tokyo:20220629T180000
DTSTAMP:20260415T095900
CREATED:20220612T153104Z
LAST-MODIFIED:20220616T133731Z
UID:4125-1656514800-1656525600@elfsjapan.com
SUMMARY:(Screen)Writer's Meetup
DESCRIPTION:Wednesdays 3pm-6pm\n1000¥ (cash at the door) \nIn a nutshell: \n\nSit together and write in a calm\, creative and focused atmosphere\nReceive feedback\, share your work and meet fellow writers at the end\nJoin and leave whenever you like – no pressure to be on time or share\nCoffee\, tea\, water\, earplugs\, paper and pens provided\nWeekly themes with prompts and ideas to spark your creativity\nBring your own laptop/tablet/notebook\n\nWhy do we still go to the cinema\, when we can watch everything on our own screen at home now? \nWell\, sometimes we need a break from the distractions\, the reminders of everything outside of the magical realms that a story can take us. \nSo just as we benefit from the quiet\, the dark\, the atmosphere and the people around us when we go out to immerse ourselves in the world of a movie\, the same things can help to evoke our own creativity too. \nAt the ELFS Writer’s Meetup\, for 3 hours every week the ELFS studio is transformed into a room of possibilities. \nWe provide the space and the atmosphere – you bring the stories. \nSchedule:\nFrom 3:00-5:00pm we sit together and write quietly. \nYou can work on an ongoing project or make use of weekly prompts and exercises we provide. \nThere is a theme each week and some inspiration around if you feel stuck – and there are earplugs provided if you just want to dive right into your own story. \nFrom 5:00-6:00pm there is the option to share your work and your experience\, read out loud what you wrote or have others read it to you. \nThroughout the entire session there is tea\, coffee and water available as well as a few snacks (the type you can quietly munch on without interrupting your focus or disturb the peace of other writers). \nWho is this for?\nAnyone\, who wants to write. \nThere are no limits\, regulations or entry criteria other than the commitment to sit and focus on your own work for the time you are in the room. \nWhile this is a screenwriting focused event\, there are really no limits to what you can work on. Feel free to join with any type of writing project in mind or already in progress!
URL:https://elfsjapan.com/event/screenwriters-meetup/
LOCATION:ELFS Japan Studio\, 2-9-14 Suido\, Bunkyō-ku\, Tōkyō-to\, 112-0005\, Japan
CATEGORIES:Networking,Screenwriting Courses
ATTACH;FMTTYPE=image/jpeg:https://elfsjapan.com/wp-content/uploads/2018/08/pereanu-sebastian-643348-unsplash.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tokyo:20220612T140000
DTEND;TZID=Asia/Tokyo:20220612T163000
DTSTAMP:20260415T095900
CREATED:20210719T180128Z
LAST-MODIFIED:20220527T092534Z
UID:3588-1655042400-1655051400@elfsjapan.com
SUMMARY:Introductory Workshop: The Strasberg Method
DESCRIPTION:Jim O’Connor brings method acting to Tokyo.\nJoin New York City’s Jim O’Connor for a weekend workshop as he introduces method acting and sense memory as developed by Lee Strasberg. Learn the basic technique used to privately unlock your treasure chest of emotions and meet the demands of the play. Comfortable clothing and an open\, honest willingness is all you need. \nCourse description\nJim studied privately with Gary Swanson\, a first generation pupil of Lee Strasberg and lifetime member of The Actor’s Studio. \nSense memory\, the backbone of method acting\, allows the actor to meet the emotional demands of the character and illuminate the play. Living truthfully under imaginary circumstances requires a profound understanding of oneself\, courageous discipline and a training of the senses. Only in this way can we bring real life to the stage when imagination alone is insufficient. \nMethod acting training develops the tools needed to privately access the actor’s reservoir of emotions thus clearing a path for transformative expression and dissolution of self consciousness. \nAbout Jim O’Connor\nJim O’Connor received his bachelor of fine arts degree in acting from the University of Rhode Island\, USA\, where he studied the Meisner method. After working in regional theater under the guidance of Tony award winning Director\, Adrian Hall\, Jim relocated to New York City where his career shifted to daytime soap operas\, episodic television and Emmy award winning national network commercials. Thereafter\, Jim explored the growing trend as a television host with his own shows on the USA network amongst others. Throughout his pursuits\, Jim steadily trained with Gary Swanson\, a first generation acting pupil of Lee Strasberg and lifetime member of The Actor’s Studio. Jim enjoys teaching the knowledge he has been fortunate enough to obtain and now looks forward to sharing the same with Tokyo performing artists.
URL:https://elfsjapan.com/event/introductory-workshop-the-strasberg-method/
LOCATION:ELFS Japan Studio\, 2-9-14 Suido\, Bunkyō-ku\, Tōkyō-to\, 112-0005\, Japan
CATEGORIES:Acting
ATTACH;FMTTYPE=image/jpeg:https://elfsjapan.com/wp-content/uploads/2021/07/the-strasburg-method.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tokyo:20220611T140000
DTEND;TZID=Asia/Tokyo:20220611T163000
DTSTAMP:20260415T095900
CREATED:20201208T161153Z
LAST-MODIFIED:20220611T044407Z
UID:3251-1654956000-1654965000@elfsjapan.com
SUMMARY:Introduction to Meisner's Method
DESCRIPTION:A Workshop to Introduce Actors to the Meisner Technique\nDuring this 2 hour class we will explore how to act moment to moment\, behave instead of thinking\, following impulses instead of following a scheme. We will have an introduction to Meisner’s tools to improve acting skills : Through the famous repetition exercise\, we will work on listening to your partner carefully and letting yourself be changed in a heart beat. This work will also lead us to improve your emotional fluidity\, and accept your instincts as gifts. \nBased on the work of Sanford Meisner and Lee Strasberg among others\, Lucas helps students to find their way of acting through moments of truth\, reconnecting with their emotions\, taking the emphasis away from self and focusing on partners on stage. He also teaches how to build characters\, from identifying their primal need\, to the way they walk. Being an actor is being a creator\, giving script pages a soul\, a body and emotions. Being an actor is making smart choices. Being an actor is believing in the unbelievable and make the audience believe with you. But\, before all\, being an actor is playing\, having fun\, and reconnecting with the inner child that you might have forgotten. \nAbout the Instructor – Lucas Rue\nLucas studied in ESRA (Ecole Supérieure de Réalisation Audiovisuelle) in PARIS. After his graduation in 2006\, he worked on more than 60 films (Short Films\, Music Videos\, Documentaries\, TV Shows and Feature Films) as Director\, Assistant Director\, Director of Photography\, Cameraman and Gaffer.\nLucas studied acting alongside two of the most famous acting coaches in the U.S (Bob Mc Andrew and Susan Batson). Being their assistant and cameraman for 4 years\, he acquired the skills he needed to pursue his work as filmmaker. As he was continuously working on film set\, Lucas had eventually the opportunity to teach in one of the most prestigious acting school in Paris\, “L’Entrée des Artistes” directed by Olivier BELMONDO. As “acting on screen” teacher for this institution for more than ten years\, Lucas developed and sharpened his own method of teaching acting.\nIn 2017\, he moved to Japan to continue is work as acting coach and filmmaker.
URL:https://elfsjapan.com/event/introduction-to-meisners-method/
LOCATION:ELFS Japan Studio\, 2-9-14 Suido\, Bunkyō-ku\, Tōkyō-to\, 112-0005\, Japan
CATEGORIES:Acting
ATTACH;FMTTYPE=image/jpeg:https://elfsjapan.com/wp-content/uploads/2020/12/meisner.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tokyo:20220305T130000
DTEND;TZID=Asia/Tokyo:20220305T180000
DTSTAMP:20260415T095900
CREATED:20220210T180150Z
LAST-MODIFIED:20220215T134241Z
UID:3900-1646485200-1646503200@elfsjapan.com
SUMMARY:Introduction to Filming Live Events
DESCRIPTION:Course Content\nIntroduction\nA brief introduction to the course and instructor Chris Murray including some of the work he has done producing & covering live events in Japan. \nPre-Production & Planning\nLearn the importance of pre-production & planning with the event organisers\, venue & bands and what that entails\, as well as what basic documents you should make ahead of the production. \nEquipment (camera & sound)\nGet an overview of the basic equipment you will need to cover the content you want and learn the best way to set up your gear to get the best out of the equipment and conditions. \nUnderstanding the difficulties of low light shooting in a live (uncontrolled) venue and how to successfully get the footage you need. \nUnderstanding ahead of time the challenges of colour-matching different cameras and realistic expectations of what will be required in post-production. \nCrew (1~2 person)\nLearn how to effectively run a 1~2 man operation and manage expectations of what is possible without lowering the quality of your final product. \nCamera & Sound setup\nUnderstanding the setup you are running and knowing who is in charge of each part of the operation as well as some examples of things that can go wrong and how to avoid them. We will also practice camera setups in the studio space to simulate different situations. \nPost Production & Distribution Strategy\nAn overview of basic skills needed to edit live footage (understanding of basic audio & colour correction/grading). We will also briefly talk about the importance of how & where you want to distribute the content and what options are available to you. \nQuestions\nWe will finish with a brief question-and-answer session. \nAbout the Instructor – Chris Murray\nChris Murray has worked as Videographer and Editor for 15 years. Initially starting his career in the UK he studied Film & Media Studies at the University of Stirling before receiving The Dewar Arts Award and a grant from the British Film Institute to complete an advanced editing course at the Metropolitan Film School in London. After working in the UK for 3 years Chris decided to travel the world and ended up in Japan. After a spell working as an ALT on the JET Programme Chris moved to Tokyo and pursued his Videography and Editing career. He joined a start-up\, specialising in 360 degree photography and video\, as a director and editor before moving to Nippon TV AXON working as a director in the Innovation Team and the Overseas Strategy Team. In 2021 Chris decided to go freelance and started his own company called Live Labo Scenes which focuses on live music event production and documentation.
URL:https://elfsjapan.com/event/introduction-to-filming-live-events/
LOCATION:ELFS Japan Studio\, 2-9-14 Suido\, Bunkyō-ku\, Tōkyō-to\, 112-0005\, Japan
CATEGORIES:Filmmaking Courses,Technical
ATTACH;FMTTYPE=image/jpeg:https://elfsjapan.com/wp-content/uploads/2022/02/photo-1589320843284-4b70884083a6.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tokyo:20200920T100000
DTEND;TZID=Asia/Tokyo:20200920T180000
DTSTAMP:20260415T095900
CREATED:20200909T080815Z
LAST-MODIFIED:20200909T081243Z
UID:3057-1600596000-1600624800@elfsjapan.com
SUMMARY:Audition Workshop
DESCRIPTION:In this one-day Masterclass you’ll get to experience various different audition scenarios and learn how to master each one of them. \nYou’ll prepare a scene for a “simulated audition”\, which we’ll hold at the very beginning of class and you’ll receive detailed feedback on your performance and presentation. \nIn the second half of the day we’ll look at self-tape auditions and you’ll gain valuable insights from both a performance- and a more technical angle on how to present yourself in the best possible light\, when submitting for a part. \n\nWe’ll also cover:\nMemorisation techniques\nHow to prepare before and on the day of the audition\nCostumes and props\nHow to overcome nervousness\nHow to respond to last minute changes (for example: being given sides only on the day)\n\nWhile this class is aimed at auditions for international productions in English – many of the techniques and insights will help you achieve better results anywhere.
URL:https://elfsjapan.com/event/audition-workshop/
LOCATION:ELFS Japan Studio\, 2-9-14 Suido\, Bunkyō-ku\, Tōkyō-to\, 112-0005\, Japan
CATEGORIES:Acting
ATTACH;FMTTYPE=image/jpeg:https://elfsjapan.com/wp-content/uploads/2020/01/authentic-acting-class-tokyo.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tokyo:20200828T190000
DTEND;TZID=Asia/Tokyo:20200828T210000
DTSTAMP:20260415T095900
CREATED:20200717T061707Z
LAST-MODIFIED:20200824T110832Z
UID:2899-1598641200-1598648400@elfsjapan.com
SUMMARY:Acting: Scene Work
DESCRIPTION:In our two-hour drop-in classes you’ll have the chance to work on scenes\, monologues\, audition material or any other performance that you’d like to get feedback on. You are welcome to bring your own material\, or be assigned a piece by the instructor. \nIf you are brand new to the acting world\, you will start slowly with some simple scenes and exercises. \nThrough physical and emotional exercises you’ll get to train your “acting muscles” in every class and expand your knowledge on different acting techniques and approaches. You’ll discover which techniques work best to show your unique talent and over time build the confidence and lasting skills to apply what you learned outside of the class in every audition and on every film set. \nIn the scene work\, you’ll discover what it takes to impress directors\, producers\, casting directors and your audience by bringing the best of you to every part you play and deliver a naturally captivating performance. \nThe class is held in English and primarily designed for people\, who are interested in entering the international film industry\, but even if your focus is on the Japanese market\, or you’re primarily interested in acting for fun or to build confidence – the skills you’ll develop in these classes will make you stand out in any setting! \nAll levels of experience are welcome and a basic understanding of English is sufficient to benefit from our classes. \n\nIndividual private sessions: 6000¥/hour\nPrivate Sessions Available: Friday 12:00pm-7:00pm | Sunday 11:00am-2:30pm
URL:https://elfsjapan.com/event/acting-scene-work/
LOCATION:ELFS Japan Studio\, 2-9-14 Suido\, Bunkyō-ku\, Tōkyō-to\, 112-0005\, Japan
CATEGORIES:Acting
ATTACH;FMTTYPE=image/jpeg:https://elfsjapan.com/wp-content/uploads/2020/03/authentic-acting-character-creation.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tokyo:20200726T170000
DTEND;TZID=Asia/Tokyo:20200726T190000
DTSTAMP:20260415T095900
CREATED:20200717T062348Z
LAST-MODIFIED:20200824T074922Z
UID:2905-1595782800-1595790000@elfsjapan.com
SUMMARY:Acting: Advanced Scene Work
DESCRIPTION:This class is aimed primarily at students who have been training for a longer time period or who are working professional actors. \nYou can still join this class as a beginner\, but you won’t be working on a scene yourself\, unless you’ve passed the beginner level or demonstrated sufficient proficiency. All students can participate in the exercises at the beginning of the class. \nYou’ll have the chance to work on scenes\, monologues\, audition material or any other performance that you’d like to get feedback on*. You are welcome to bring your own material\, or be assigned a piece by the instructor. \nThrough physical and emotional exercises you’ll get to train your “acting muscles” in every class and expand your knowledge on different acting techniques and approaches. You’ll discover which techniques work best to show your unique talent and over time build the confidence and lasting skills to apply what you learned outside of the class in every audition and on every film set. \nIn the scene work\, you’ll discover what it takes to impress directors\, producers\, casting directors and your audience by bringing the best of you to every part you play and deliver a naturally captivating performance. \nThe class is held in English and primarily designed for people\, who are interested in entering the international film industry\, but even if your focus is on the Japanese market\, or you’re primarily interested in acting for fun or to build confidence – the skills you’ll develop in these classes will make you stand out in any setting! \nSPECIAL NOTE FOR SUNDAY CLASSES\nAbout once a month there is a weekend class held in the studio on Sundays. During those weeks there are no Sunday drop-in classes and no replacement. \n\nMonthly Pass (as many acting classes as you want excluding the “on camera weekend intensive”): 20000¥ including a 30 Minute One-on-one session \nIndividual private sessions: 6000¥/hour\nPrivate Sessions Available: Friday 12:00pm-7:00pm | Sunday 11:00am-2:30pm \n\nSpecial July Offer:\nBook your August Monthly Pass now and get access to all July classes for free!
URL:https://elfsjapan.com/event/acting-advanced-scene-work/
LOCATION:ELFS Japan Studio\, 2-9-14 Suido\, Bunkyō-ku\, Tōkyō-to\, 112-0005\, Japan
CATEGORIES:Acting
ATTACH;FMTTYPE=image/jpeg:https://elfsjapan.com/wp-content/uploads/2020/01/authentic-acting-class-tokyo.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tokyo:20200726T143000
DTEND;TZID=Asia/Tokyo:20200726T163000
DTSTAMP:20260415T095900
CREATED:20200717T062101Z
LAST-MODIFIED:20200824T074842Z
UID:2902-1595773800-1595781000@elfsjapan.com
SUMMARY:Acting: Emotional Foundation & Character Building
DESCRIPTION:This class is designed for you to “flex your acting muscles” and develop your emotional body\, so you can tap into any needed reaction fast when working on any role. \nYou will also learn how to build on these skills to create an authentic character\, who is fundamentally different from yourself. \nYou’ll learn a variety of “intentional triggers” and discover which techniques work best for you to tap into expression of deep emotions quickly\, while also drawing the line between acting and your personal life\, so you are in full control of your performance at all times. \nYou’ll discover different approaches of preparation and learn new tools for how to physically bring any character to life in a real and captivating way\, equipped with genuine human reactions that differ from your own personality and go beyond your personal experience\, without appearing “fake” or superficial. \nThis class works best in combination with our Scene Work classes\, so you can directly apply what you learn into a real acting situation. \nFor new students\, it’s recommended to come to a Scene Work class first or bring a role you are actively working on for a film or play. \nSPECIAL NOTE FOR SUNDAY CLASSES\nAbout once a month there is a weekend class held in the studio on Sundays. During those weeks there are no Sunday drop-in classes and no replacement. \n\nMonthly Pass (as many acting classes as you want excluding the “on camera weekend intensive”): 20000¥ including a 30 Minute One-on-one session \nIndividual private sessions: 6000¥/hour\nPrivate Sessions Available: Friday 12:00pm-7:00pm | Sunday 11:00am-2:30pm \n\nSpecial July Offer:\nBook your August Monthly Pass now and get access to all July classes for free!
URL:https://elfsjapan.com/event/acting-emotional-foundation-character-building/
LOCATION:ELFS Japan Studio\, 2-9-14 Suido\, Bunkyō-ku\, Tōkyō-to\, 112-0005\, Japan
CATEGORIES:Acting
ATTACH;FMTTYPE=image/jpeg:https://elfsjapan.com/wp-content/uploads/2020/03/emotional-repertoire-authentic-acting.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tokyo:20200325T190000
DTEND;TZID=Asia/Tokyo:20200325T213000
DTSTAMP:20260415T095900
CREATED:20190807T095510Z
LAST-MODIFIED:20200303T003840Z
UID:1949-1585162800-1585171800@elfsjapan.com
SUMMARY:DSLR Cinematography
DESCRIPTION:An Introduction to the DSLR camera as a filmmaking tool\nCourse Objective\nGet to grips with the pros and cons of DSLR filmmaking in a single evening. \nCourse Cost\n¥5\,000 \nCourse Description\nDSLR and mirrorless cameras\, lightweight\, compact and comparably inexpensive\, have taken over the world of low-budget filmmaking. Originally designed for taking stills they have been adapted by filmmakers for video production. They therefore have both strengths and weaknesses you need to know. \nIn this class you will learn how to use the basic controls and settings of your DSLR camera in order to achieve the best quality footage. You will also be introduced to other basics of cinematography such as lenses and lighting. \nThe course will cover the following: \n\nAperture\nShutter speed\nISO\nWhite Balance\nResolution\nFrame rate\nOperating the DSLR for best results when shooting video\nLighting basics\n\nWhile we recommend participants bring their own DSLR or mirrorless camera\, it is not mandatory. \nAbout the Instructor\nGuillaume Palmantier is a Canadian and French director\, who has been working in advertising for over 10 years in different agencies around the world\, making films and videos for international brands such as Air France\, Danone\, Citroën\, etc. He is also a firm believer that your camera and yourself is often all you need to make your own personal film happen\, and has been awarded in several film festivals for films shot only with a DSLR and some good ideas.
URL:https://elfsjapan.com/event/dslr-cinematography/
LOCATION:ELFS Japan Studio\, 2-9-14 Suido\, Bunkyō-ku\, Tōkyō-to\, 112-0005\, Japan
CATEGORIES:Filmmaking Courses,Technical
ATTACH;FMTTYPE=image/jpeg:https://elfsjapan.com/wp-content/uploads/2018/08/Website-Photo.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tokyo:20200315T143000
DTEND;TZID=Asia/Tokyo:20200315T163000
DTSTAMP:20260415T095900
CREATED:20200310T092306Z
LAST-MODIFIED:20200322T031844Z
UID:2515-1584282600-1584289800@elfsjapan.com
SUMMARY:Authentic Acting Drop-in Class: Creating Characters
DESCRIPTION:In this class\, you’ll learn to work out all the details of how to create an authentic character\, who is fundamentally different from yourself. \nYou’ll discover different approaches of preparation and learn new tools for how to physically bring any character to life in a real and captivating way\, equipped with genuine human reactions that differ from your own personality and go beyond your personal experience\, without appearing “fake” or superficial. \nThis class works best in combination with our Scene Work classes\, so you can directly apply what you learn into a real acting situation. \nFor new students it’s recommended to come to a Scene Work class first or bring a role you are actively working on for a film or play. \n2000¥ per class.\nPlease pay in cash on the day
URL:https://elfsjapan.com/event/authentic-acting-drop-in-class-creating-characters/2020-03-15/
LOCATION:ELFS Japan Studio\, 2-9-14 Suido\, Bunkyō-ku\, Tōkyō-to\, 112-0005\, Japan
CATEGORIES:Acting
ATTACH;FMTTYPE=image/jpeg:https://elfsjapan.com/wp-content/uploads/2020/03/authentic-acting-character-creation.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tokyo:20200313T190000
DTEND;TZID=Asia/Tokyo:20200313T210000
DTSTAMP:20260415T095900
CREATED:20200115T075723Z
LAST-MODIFIED:20200322T031948Z
UID:2409-1584126000-1584133200@elfsjapan.com
SUMMARY:Authentic Acting Drop-in Class: Scene Work
DESCRIPTION:Become the best actor you can possibly be! \nIn our two hour drop-in classes you’ll have the chance to work on scenes\, monologues\, audition material or any other performance that you’d like to get feedback on*. You are welcome to bring your own material\, or be assigned a piece by the instructor. \nThrough physical and emotional exercises you’ll get to train your “acting muscles” in every class and expand your knowledge on different acting techniques and approaches. You’ll discover which techniques work best to show your unique talent and over time build the confidence and lasting skills to apply what you learned outside of the class in every audition and on every film set. \nIn the scene work\, you’ll discover what it takes to impress directors\, producers\, casting directors and your audience by bringing the best of you to every part you play and deliver a naturally captivating performance. \nThe class is held in English and primarily designed for people\, who are interested in entering the international film industry\, but even if your focus is on the Japanese market\, or you’re primarily interested in acting for fun or to build confidence – the skills you’ll develop in these classes will make you stand out in any setting! \nAll levels of experience are welcome and a basic understanding of English is sufficient to benefit from our classes. \nEach class lasts 2 hours and costs 2000¥\nPlease pay in cash on the day. \n*Depending on student numbers\, the time dedicated to each scene will vary.
URL:https://elfsjapan.com/event/authentic-acting-drop-in-class/2020-03-13/
LOCATION:ELFS Japan Studio\, 2-9-14 Suido\, Bunkyō-ku\, Tōkyō-to\, 112-0005\, Japan
CATEGORIES:Acting
ATTACH;FMTTYPE=image/jpeg:https://elfsjapan.com/wp-content/uploads/2020/01/authentic-acting-class-tokyo.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tokyo:20200310T190000
DTEND;TZID=Asia/Tokyo:20200310T210000
DTSTAMP:20260415T095900
CREATED:20200310T092739Z
LAST-MODIFIED:20200324T071800Z
UID:2520-1583866800-1583874000@elfsjapan.com
SUMMARY:Authentic Acting Drop-in Class: Emotional Repertoire
DESCRIPTION:This class is designed for you to “flex your acting muscles” and develop your emotional body\, so you can tap into any needed reaction fast\, when working on any role. \nYou’ll learn a variety of “intentional triggers” and discover which techniques work best for you to tap into expression of deep emotions quickly\, while also drawing the line between acting and your personal life\, so you are in full control of your performance at all times. \nThis class works best in combination with our Scene Work classes\, so you can directly apply what you learn into a real acting situation. \n2000¥\nPlease pay cash on the day
URL:https://elfsjapan.com/event/authentic-acting-drop-in-class-emotional-repertoire/
LOCATION:ELFS Japan Studio\, 2-9-14 Suido\, Bunkyō-ku\, Tōkyō-to\, 112-0005\, Japan
CATEGORIES:Acting
ATTACH;FMTTYPE=image/jpeg:https://elfsjapan.com/wp-content/uploads/2020/03/emotional-repertoire-authentic-acting.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tokyo:20191212T190000
DTEND;TZID=Asia/Tokyo:20191212T213000
DTSTAMP:20260415T095900
CREATED:20191105T080144Z
LAST-MODIFIED:20191126T061343Z
UID:2210-1576177200-1576186200@elfsjapan.com
SUMMARY:Film Festival Strategy
DESCRIPTION:Film Festivals: Get Your Film Screened\nWhen you have made your film the next step is to get it seen. Despite the variety of options for streaming your work online\, it is still the hope of most filmmakers to get their work distributed and shown on the ‘big screen’. With digital filmmaking meaning there is a huge amount of content being created film festivals are still the way in which the industry takes note of work. Being screened at a major festival\, or winning awards at smaller ones\, brings attention audience to your work. \nThere are around 3\,000 film festivals around the world each year and it can be a huge task to plan where to submit your work and what strategy to take in getting it seen. \nDuring this single evening we will address: \n\nPlanning your strategy before you make your film.\nWhich festivals are right for my work?\nSubmitting your film\, Withoutabox\, Film Freeway and other options\nMarkets and Festivals. What’s the difference?\nThe main reasons Festivals reject films\, and how to improve your chances\nCannes Film Festival: How to survive it\, and is it worth it?\n\nDuring the evening we will be joined via Skype by Elliot Grove\, director of the Raindance Film Festival in London\, Europe’s largest independent film festival where he will be giving his own thoughts on what festivals are looking for and will be able to answer your questions. \nAbout the Instructor – Rory O’Donnell\n \nELFS Japan creator Rory O’Donnell worked with the Raindance Film Festival in many capacities between 2000 and 2017\, including dealing with print traffic\, the submissions process and running their training programme for ten years. As a filmmaker his films have screened at many festivals in North America and Europe and he was a regular attendee at the Cannes Film Festival for many years. One of his aims at ELFS Japan has been to encourage filmmakers based in Japan to get their films more seen on the international stage. \nAbout Elliot Grove\n \nFew people know more filmmakers and screenwriters in Europe than Raindance founder Elliot Grove. He’s presided over the launch of some of Britain’s most interesting filmmakers. Edgar Wright was his first intern\, Guy Ritchie and Matthew Vaughn met at a Raindance course in the mid 1990’s\, David Yates (Harry Potter) Christopher Nolan and Gareth Edwards (Monsters\, Star Wars) all launched their careers following film training courses at Raindance. Ken Loach and Mike Leigh are patrons. \nElliot founded Raindance Film Festival in 1993\, the  British Independent Film Awards in 1998. He has produced over 700 short films\, and 6 feature films. He’s written eight scripts\, one of which is currently in pre-production. His first feature film\, TABLE 5 was shot on 35mm and completed for a total of £278.38. He teaches writers and producers in the UK\, Europe\, Japan and America. He has written three books which have become industry standards: RAINDANCE WRITERS’ LAB: WRITE & SELL THE HOT SCREENPLAY(Focal Press 2008)\, RAINDANCE PRODUCER’S LAB: LO-TO-NO BUDGET FILMMAKING (Focal Press 2004) and 130 PROJECTS TO GET YOU INTO FILMMAKING (Barrons 2009). His first novel THE BANDIT QUEEN is scheduled for publication next year. Open University awarded Elliot an Honourary Doctorate for services to film education in 2009. \nElliot’s Saturday Film School is the most popular film class in Europe\, taken by over 17\,000 learners since it was launched in March 2011. \nHis 2014 feature\, Deadly Virtues directed by Ate de Jong (Drop Dead Fred) has been released in 8 territories and reached number 12 in the UK.
URL:https://elfsjapan.com/event/film-festival-strategy/
LOCATION:ELFS Japan Studio\, 2-9-14 Suido\, Bunkyō-ku\, Tōkyō-to\, 112-0005\, Japan
CATEGORIES:Events,Filmmaking Courses
ATTACH;FMTTYPE=image/jpeg:https://elfsjapan.com/wp-content/uploads/2019/11/rory-o-donnell-at-cinequest-film-festival.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tokyo:20191116T140000
DTEND;TZID=Asia/Tokyo:20191116T163000
DTSTAMP:20260415T095900
CREATED:20191105T082523Z
LAST-MODIFIED:20191114T010536Z
UID:2216-1573912800-1573921800@elfsjapan.com
SUMMARY:Creating Short-Form Docu-Series For The Web
DESCRIPTION:In this class taught by Shirley Williams\, an Emmy Nominated New York based Producer\, you’ll learn how to create a 5-7 minute documentary film through authentic human storytelling. Get advice on the best way to shoot your subjects\, structure your scripts and how to use B-roll\, music and sound to enhance the quality and emotion of your story. During this class\, we’ll take a look at a docu-series piece she produced for www.Refinery29.com that generated over 1 million views and how she and her production team created such an impactful story. \nThis course would be great for anyone with an interest in creating short documentaries for the web and film festivals. Including vloggers and YouTubers that want to evolve their channel’s content. \nDocu-series is a by product of documentary filmmaking. Docu-series is defined as a series that follows a particular person or group of people and their involvement in real events and situations over a period of time. The Academy Awards’ eligibility for documentaries is any theatrically released nonfiction motion picture dealing creatively with cultural\, artistic\, historical\, social\, scientific\, economic or other subjects. It may be photographed in actual occurrence\, or may employ partial reenactment\, stock footage\, stills\, animation\, stop-motion or other techniques\, as long as the emphasis is on fact and not on fiction. A short form documentary or docu-series\, can be any of this sort of content that is told within 3-30 minutes but being able to tell powerful nonfiction stories within a small amount of time can propose itself to be challenging yet fun and exciting. \nCourse Overview\nIn this workshop we’ll go through the steps of creating 5-7 minute docu-series stories Learn how to: \n\nDevelop Concepts\nResearch\nCreate Your Logline & Outline\nStructure Your Acts\nUse Music & Sound Effects\n\nAbout Shirley Williams\nNew York based Producer\, Shirley Vernae Williams\, has overseen many television series such as History Channel’s “Alone” and “American Restoration”. In 2017 she post produced the documentary film “Intent To Destroy” with award winning Director Joe Berlinger which premiered at Tribeca Film Festival. Intent To Destroy was recently nominated for an Emmy for Outstanding Historical Documentary. Shirley is currently a Supervising Producer for Refinery29 and has produced various series for them in the past including “Shady” and “Anomaly” which generated millions of online views. She has worked with companies such as VaynerMedia and Public Record TV\, producing content for multiple brands such as Comcast\, Shell\, Budweiser\, Cadillac\, Stella and many more. This year she has produced eight short films for the New York Times and a documentary for the Annenberg Space Of Photography.
URL:https://elfsjapan.com/event/creating-short-form-docu-series-for-the-web/
LOCATION:ELFS Japan Studio\, 2-9-14 Suido\, Bunkyō-ku\, Tōkyō-to\, 112-0005\, Japan
CATEGORIES:Events,Filmmaking Courses
ATTACH;FMTTYPE=image/jpeg:https://elfsjapan.com/wp-content/uploads/2019/11/shirley-williams-tokyo-masterclass.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tokyo:20191024T190000
DTEND;TZID=Asia/Tokyo:20191024T213000
DTSTAMP:20260415T095900
CREATED:20190912T094653Z
LAST-MODIFIED:20191023T043654Z
UID:2071-1571943600-1571952600@elfsjapan.com
SUMMARY:Directing Actors
DESCRIPTION:Sold Out \nCourse Objective\nTo increase the Directors confidence and understanding when working with Actors. \nCourse Cost\n¥5\,000 \nCourse Description\nActors are the focus of the audiences attention in fiction film and yet so often directors are more concerned with the technical aspects of the production than the performances of their players. \nMany directors come to filmmaking through technical backgrounds\, or as screenwriters. Because of this they may have little knowledge of working with actors to develop and improve their work. Often they feel a barrier between themselves and the talent and even a little fear in trying to communicate with them. \nThis single evening aims to start to break down that barrier. To give an understanding of what actors require from their directors and to begin to learn how to develop character and bring out performance. \nAreas covered in the course include: \n\nScreen versus Stage\nDeveloping Character and Performance\nDirecting for the Frame\nAction and Reaction\nVocal Levels\nAuditions and Rehearsals\n\nClass Schedule\nOctober 24 (Thurs)\, 19:00-21:30 \nAbout the Instructor – Rory O’ Donnell\nELFS Japan founder Rory O’Donnell began his career in the entertainment industry following two years of acting training at London’s ‘Poor School’. From there is acting career covered all sizes of theatre stage from intimate ‘pub theatres’ to the West End stage directed by triple Oscar nominee Stephen Daldry. With stage work interspersed with occasional film and TV roles\, it was in short film that Rory decided to make his directing debut. \nRory’s shorts have played in festivals across Europe and North America\, in which he has directed such actors as Julian Glover (James Bond\, Indiana Jones)\, Sylvester McCoy (Doctor Who\, The Hobbit) and Caroline Munro (Hammer Horror\, James Bond)\, amongst many established and new talent. Since coming to Japan Rory has continued to direct short films\, in Japanese\, with actors who have worked with directors such as Sion Sono and Takashi Miike. \nBefore setting up ELFS Japan Rory ran the training for Raindance in London for ten years\, while also working as a casting director for independent films. He has taught acting\, casting and directing\, and his ‘Making the Short Film’ week-long course is the centrepiece of ELFS Japan’s workshops.
URL:https://elfsjapan.com/event/directing-actors/
LOCATION:ELFS Japan Studio\, 2-9-14 Suido\, Bunkyō-ku\, Tōkyō-to\, 112-0005\, Japan
CATEGORIES:Acting,Filmmaking Courses
ATTACH;FMTTYPE=image/jpeg:https://elfsjapan.com/wp-content/uploads/2019/09/rory-o-donnell-directing-actors.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tokyo:20191019T110000
DTEND;TZID=Asia/Tokyo:20191019T180000
DTSTAMP:20260415T095900
CREATED:20190809T064438Z
LAST-MODIFIED:20190910T123858Z
UID:1971-1571482800-1571508000@elfsjapan.com
SUMMARY:Introduction to Cinematography
DESCRIPTION:A one-day workshop taking you through the basics of cinematography. \nCourse Objective\nTo ground those new to the art and science of cinematography in the basics of photography and lighting. It is also useful for those aiming to refresh their existing knowledge. \nCourse Cost\n¥12\,500 \nCourse Description\nOn this one-day workshop\, you will be introduced to camera operation\, camera angles\, and lighting\, all of which constitute the basic principles of cinematography. You will also have the opportunity to set up and shoot short scenes to practise all that you have learned. \nMorning session: \n\nIntroduction. What is cinematography and what is the camera department responsible for? What is the director-cinematographer relationship and who decides what?\nBrief introduction to basic cinematography principles:\n\nCamera angles\nThe 180-degree ‘rule’\nThe subjective camera\nBlocking and composition\n\n\nIntroduction to lighting for film\n\nQualities of light\nUsing light to set mood\nThree-point lighting\n\n\n\nAfternoon session: \n\nParticipants will use lights to practise prescribed setups (low key\, high key\, three-point lighting)\, taking turns operating the camera\, the light and ‘sitting in’ on camera.\nParticipants will set up\, perform\, and film a short dialogue scene.\n\nClass Schedule\nOctober 19 (Sat)\, 11:00-18:00 \nAbout the Instructor\nEvangelo Costadimas is an award-winning cinematographer\, independent filmmaker\, and art curator. Originally trained as a telecoms engineer\, he switched careers in 2009 to take up filmmaking. Growing up in Ethiopia with Greek and Italian parents\, he immigrated to Canada and has since lived or worked in more than thirty countries across four continents. He was an adjunct professor at SCAD Hong Kong where he taught film and photography courses and regularly lectured on fine art photography and video art at the Hong Kong Art School. As of June 2019\, he is based in Tokyo.
URL:https://elfsjapan.com/event/introduction-to-cinematography/
LOCATION:ELFS Japan Studio\, 2-9-14 Suido\, Bunkyō-ku\, Tōkyō-to\, 112-0005\, Japan
CATEGORIES:Filmmaking Courses,Technical
ATTACH;FMTTYPE=image/jpeg:https://elfsjapan.com/wp-content/uploads/2018/05/Directing-02_01-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tokyo:20191017T190000
DTEND;TZID=Asia/Tokyo:20191017T213000
DTSTAMP:20260415T095900
CREATED:20190912T093304Z
LAST-MODIFIED:20190912T093304Z
UID:2073-1571338800-1571347800@elfsjapan.com
SUMMARY:The Art of Cinematic Storytelling - with Steven Wolfson
DESCRIPTION:Course Objective\nTransforming your premise into an engaging narrative \nCourse Cost\n¥5\,000 \nCourse Description\nThe greatest challenge facing all screenwriters today\, whether novice or professional\, is the process of transforming a premise into a compelling\, sustainable story. \nThis intensive workshop focuses solely on the art of the story\, with an emphasis on such fundamentals as: \n\nCharacter Development\nSuper-Objective\nRising Conflict\nScene Work\nThree-Act Structure\n\nParticipants will learn how to spot critical mistakes often made in the initial development of a screenplay’s narrative. The final goal of the workshop is a greater understanding of what makes a story work and a series of tools that participants can immediately apply to their current screenplay. \nClass Schedule\nOctober 17 (Thurs)\, 19:00-21:30 \nAbout the Instructor – Steven Wolfson\nSteven Wolfson has taught screenwriting\, playwriting and creative writing at The Writers Program at UCLA for the past 20 years and holds the distinction of having created the most new classes\, workshops and seminars of any instructor in the program’s history. He has been awarded The Outstanding Instructor of the Year award twice\, in both screenwriting and creative writing. \nAs a highly sought-after story consultant and dramaturg\, Wolfson’s clients span the worlds of film\, television\, theatre and prose. He has worked one-on-one with several A-list Hollywood writers and directors\, shepherding new projects from inception to production. Wolfson’s series of unique writing exercises have been secretly passed throughout Hollywood for years. \nAs a screenwriter\, Wolfson has sold projects to Fox\, Lions Gate\, TNT\, MTV\, Langley Entertainment\, Beacon Films and producer Arnold Rifkin. Wolfson wrote the independent romantic comedy\, Dinner and Driving\, which premiered at The Austin Film Festival and went on to win audience awards at several film festivals and was sold to HBO. Wolfson also wrote and co-produced the critically acclaimed Lionsgate feature\, Gang Tapes\, a coming-of-age drama set in South Central\, Los Angeles. Gang Tapes played to sold out audiences at film festivals in both the United States and Europe. \nWolfson is a founding member of the Mark Taper Forum’s Mentor Playwrights Project. His original plays have been produced and workshopped at The Mark Taper Forum\, Taper Too\, The Getty Museum\, Cornerstone Theater Company\, The Virginia Avenue Project and The Geffen Contemporary. His most recent play\, The Absence of Wanting\, premiered in Berlin.
URL:https://elfsjapan.com/event/the-art-of-cinematic-storytelling-with-steven-wolfson/
LOCATION:ELFS Japan Studio\, 2-9-14 Suido\, Bunkyō-ku\, Tōkyō-to\, 112-0005\, Japan
CATEGORIES:Events,Filmmaking Courses,Screenwriting Courses
ATTACH;FMTTYPE=image/jpeg:https://elfsjapan.com/wp-content/uploads/2019/09/steven-wolfson.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tokyo:20190903T190000
DTEND;TZID=Asia/Tokyo:20191001T213000
DTSTAMP:20260415T095900
CREATED:20180611T043838Z
LAST-MODIFIED:20190924T082403Z
UID:133-1567537200-1569965400@elfsjapan.com
SUMMARY:Screenwriting for Beginners
DESCRIPTION:Learn the essentials of Screenwriting\nWho is this class for?\nThis screenwriting class is designed for the absolute novice\, one who has never written a complete feature script. In addition\, it is particularly sensitive to the needs of those for whom English is a second language. Although native speakers are welcome and the class introduces a lot of jargon\, it will be taught at general-vocabulary level appropriate for all learners of English. \nWhat will this class teach you?\nWhile university-level film school classes will take you through baby steps as you learn to construct a scene and character\, etc.\, this screenwriting class aims to compress all that is taught through several years of film school into five easy nights. By the end of the class\, you will be more than ready to start writing a full-length (90-to-120-page) feature script. Future classes will go beyond the basics contained within this one to look at such things as TV pilots\, ensemble films\, and character pieces. While many great films break the rules\, this class will teach you the basics you must know before you decide to ignore and/or improve on them. \nSchedule\n03 September 2019 — 19:00-21:30 \n10 September 2019 —19:00-21:30 \n17 September 2019 —19:00-21:30 \n24 September 2019 —19:00-21:30 \n1 October 2019 —19:00-21:30 \nMeet the Instructor – Matthew Allen\n \nMatthew Allen is an award-winning Australian screenwriter who has written and rewritten scripts for\, and optioned scripts to\, the producers of such films as The Boondock Saints (Willem Dafoe)\, The Bucket List (Jack Nicholson\, Morgan Freeman)\, and Grudge Match (Sylvester Stallone\, Robert De Niro). Allen studied screenwriting under such luminaries as UCLA’s Richard Walter and Academy-Award-winning screenwriter\, Leonard Schrader. In addition\, he has worked in both development and production\, interning for such power-players as Jon Landau (Titanic\, Avatar). Having seen the business from the inside and out\, Allen knows what both Hollywood readers (one of which he has been) and screenwriting competitions (several of which he has placed in) are looking for. Allen has lived in Japan for years and speaks with an easy-to-understand\, American accent. Find out more about Matthew Allen. \nClass 1: Structure\nStorytelling has ancient rules that transcend culture. You are not the first person to ever consider writing a story and this class will teach you the basic and universal formula that is seldom strayed from. These fundamentals\, while not to be viewed dogmatically\, are perhaps part of our\, as humans\, genetic makeup—and therefore must be understood before being deviated from. \n\nThe Hero’s Journey\nThree-act structure\nClassical unities\nStakes\nTicking clock\nDramatic irony\nSet-up and payoff\n\nHomework: Prepare own idea. \nClass 2: Character\nFamed screenwriting guru\, Robert McKee argues that the age-old debate as to which comes first\, character or story\, is an oxymoron. McKee argues that character is story and this class will show you how to weave your character into the very fabric of your plot. The class will go beyond McKee however\, to look at more recent screenwriting theorists who have built on his work. \n\nArchetypes\nEmpathetic vs. sympathetic characters\nOuter goal\nInner need\nTransformational arc\nAristotelian dilemmas\nThree-dimensional characters\n\nHomework: Prepare pitch of own idea. \nClass 3: Action Lines\nThe screenplay differs from the play or the novel\, and this class will show you precisely how it does so. The script for the 1979 classic\, Alien was once described as “beat poetry” and screenwriting has\, since then\, developed more and more of its own style and conventions in terms of prose. This class will guide you through how to use the English language beautifully\, from the all-important first page to the final “FADE OUT” at the end. \n\nOpening image\nShow\, don’t tell\nCharacter first appearances\nPanache\nTransitions\nBookending\n\nHomework: Prepare structure of own idea. \nClass 4: Dialogue\nDialogue may merely be the icing on the proverbial cake\, but many an audience member lives for its taste. One Japanese film student once remarked to me that he was stunned to learn of the complex layers of meaning in the dialogue in Hollywood fare. This class will show you just what he was talking about. \n\nConflict\nExposition\nSubtext\nVoice for each character\n\nHomework: Prepare one-page outline of own idea. \nClass 5: Formatting\nAs McKee once said\, any Hollywood reader who tosses a script for poor formatting and typos should be fired; after all\, as the Shakespeare goes\, “The play’s the thing”. Nonetheless\, the fact remains that formatting is used by Hollywood’s gatekeepers as a shorthand code for sorting the pros from the amateurs. In this screenwriting class\, you will learn that code\, one that is as essential to screenwriting as BASIC is to programming. \n\nImpressing readers\nScene headings\nCapitalization\nParentheticals\nAcronyms and numbers\, etc. within dialogue\n\nHomework: Write first ten pages of own idea (as preparation for advanced class).
URL:https://elfsjapan.com/event/screenwriting-for-beginners/
LOCATION:ELFS Japan Studio\, 2-9-14 Suido\, Bunkyō-ku\, Tōkyō-to\, 112-0005\, Japan
CATEGORIES:Screenwriting Courses
ATTACH;FMTTYPE=image/jpeg:https://elfsjapan.com/wp-content/uploads/2018/07/DSCF2231.jpg
END:VEVENT
END:VCALENDAR